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Flee(t)ing Dances! Initiatives for the Preservation and Communication of Intangible World Heritage in Museums ANETTE REIN Holistic, or so-called traditional worldviews are characterized in particular by how the material, everyday realm and the immaterial, spiritual realm are expe- rienced as inseparably intertwined, as two dimensions of one reality. In this sense, a dance performance – since it has its roots in both worlds – embodies a special type of medium, which allows these two dimensions to communicate (cf. Rein 2010).1 The task of

Practices of Refugee Support between Humanitarian Help and Political Activism
Re-Cording Lives
Governing Asylum in Switzerland and the Need to Resolve
Turbulences of the Post-2015 European Border Regime
Eurosur, the Refugee Boat, and the Construction of an External EU Border
Forms of Migration and Flight
Series: Design, 44
Verhandlungen von Repräsentation im deutschen Arbeits- und Migrationsregime
Integration und Arbeitsbeziehungen zwischen Ressentiment und Kollegialität
Refugee Routes
Telling, Looking, Protesting, Redressing
Ein Grenzphänomen zwischen Flucht und Migration